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Canon C70 was released on September 24, 2020, and will start shipping at the end of 2020. Availability is very low, and replenishment is proceeding at a snail's pace. It’s March 2021,
It is finally available at B&H and many other retail stores. I made this point because we at Newsshooter.com have been waiting for months of hard work. We even signed a non-disclosure agreement and knew it was coming soon.
It’s not very helpful in getting the pre-production version or the sample version, so I want to say
Provide us with a borrower so that it is better than late than no review.
This
It is a cross between a mirrorless camera and a movie camera. This design is what many people want. People actually want a hybrid with all the functions of a movie camera, but Canon refuses to do so. Yes, the video specifications of the new EOS RF fixed camera are better than those in digital SLR cameras. The DSLR models are much larger. In the past, but the video and specifications always lacked I/O. Remember the omission of a simple headphone jack from the camera?
The Panasonic GH series has become a true hybrid standard, with many video functions found in movie cameras.
I'm not a big fan of only using mirrorless cameras to shoot video, because they are mainly designed for still images, so they need some solutions. I agree with the idea of choosing the right tool for this job. Before sending me a hate email, I learned that small high-quality cameras for gimbals, drones, and narrow locations are needed. But let one of your main cameras not be my glass of water. I am actually a coffee drinker.
The C70 does not take still images or does not have any frame capture options.
The weight of the C70 is 2.58 pounds (1.17 kg). Its physical size is (H) 130.2 mm / 5.1 inches x (W) 160 mm / 6.3 inches x (D) 115.9 mm / 4.6 inches.
From the front, it looks like EOS 1DX without EVF. The compact size of the C70 makes it ideal for pan-tilt settings and fast handheld shooting.
This is not a small camera, especially if you compare it to Sony FX3.
It is a bit clumsy to hold the C70 with Canon RF 24-70 F2.8. No EVF also means that you will hold the C70 in your chest or close to eye level. It was not easy to do this for a long time, and you lost the third point of contact to maintain stability. Hand-held shooting requires the use of a lens with anti-shake function to minimize shake.
The included wrist strap is very good and necessary because it helps you hold the camera firmly when you want to use the button close to your finger, which reduces the burden on the camera, and there are several of them. Canon has added many function buttons to the C70 body, which is doing a good job.
For me, one problem is the mounting position of the tripod on the bottom of the camera. The direction of the video QR board is wrong. Obviously, this is a missed communication with the video and stills design. To avoid twisting and loosening of the QR board, the board requires two screws. The C70 has three mounting points, but in the wrong direction. Yes, it does have a hole for the Manfrotto type plate, the front bolt of the plate helps prevent twisting. However, this did not help me because I used Arca/Swiss type plates and fixing clips on all cameras.
The following is a list of several Canon cameras to get a better understanding of their weight and comparison with other Canon cameras.
I always seem to put a cage on the camera, because I tend to put more equipment on the camera than a cold shoe can withstand. First, make sure that no valuable buttons and inputs are blocked. For cameras covered by buttons and functions, this requirement becomes more difficult.
In some cases, when the top viewfinder is too high, I want to attach an EVF to the left. However, this makes the access buttons and the use of a page-turning touch screen a bit stressful. When the body is small, you must make creative decisions about how to use external devices.
The C70 handle is the intersection between the Cinema EOS and EOS RF cameras. It packs your right-hand homework. Three custom turntables and a joystick are placed on the handle. At the top, you have the main power switch. The boot speed of C70 is very fast, about 3 seconds.
Here, Canon had the opportunity to do something special with the coolest accessories, but that didn't happen.
The cold shoe is only used to install accessories (such as the included handle), but if it is a hot shoe with contacts, the C70 will be able to have additional components, such as
Provide you with 2-XLR input.
Sony has been setting it up for some time and is included in all mirrorless cameras, including the a6000 series. It is not perfect, but it is certainly convenient. Canon can take this idea to a new level. Since the C70 does not have an EVF, Canon could have made a product that could be slid in directly from the camera, connected and powered. Just put it in a small box and make it the same as in EOS R5. For me, this will solve a big problem with the camera.
The custom dial can be set to perform various functions. In addition to iris and ISO/gain, white balance selection and color temperature are now added. This is useful in many shooting scenarios.
And found it to be a good choice in the $399 price range. So far, I don’t think you can get a better viewfinder at a lower or equal price. Like the Z Cam or other boxed cameras, the C70 also needs to be monitored. The touch screen LCD is great because it adds some features that I like to use, and covering it with a magnifying glass may not be the way to go. With just a little bit, I can install LEYE on the C70 and it works very well.
in order to get
In order to work with C70, I need to overcome some obstacles. Mainly power it. LEYE does not have an on-board power supply option, so you must power it externally. In my comment, I mentioned that I missed not adding an LP-E6 battery to the back. Maybe it's V2?
To power LEYE, you can add some Velcro 5V portable batteries on the back and use USB or 5.5 x 2.5mm DC input. The barrel connector is a better choice. When using USB input, the power switch does not work, and the LEYE remains powered. You must unplug the power source, otherwise the battery will be drained.
Speaking of batteries, the best option is
. It has USB and D-Tap power connectors, which can work perfectly with LEYE. Now, I provide a powerful solution for C70 and EVF.
By solving the power problem of LEYE, I need an easy way to install EVF. Without a cage, my only option is to use cold boots. C70 has very sturdy cold-proof shoes. It must be designed for the handle.
I picked up one
That is quite low-key. The biggest advantage is that it can be translated and tilted and fixed in place. The tension can be adjusted with a simple screw. Over time, they may loosen, so the hex wrench must be kept in the bag.
I like the way it is locked with a lever. In this way, the fixing seat can be easily fixed on the cold shoe. Another important advantage is that Nitze comes with a 1/4"-20" screw, and its positioning pin is similar to the Arri accessory mount. The LEYE bracket has a slot along the NATO rail, and two pins are fixed in the slot. This is very useful because the EVF is not distorted and strong.
Yes, it is a bit bulky, but if you shoot outdoors in the sun, it will be a lifesaver.
There are 13 assignable buttons in C70. I find them very helpful, and you can choose to assign them. I never like to change a button with a mark, such as a "wave" button with WFM. This can be confusing. Having said that, Canon has done a good job with many buttons and options.
The C70 does not have a built-in EVF, which may be a problem, at least for me. I would be happy to pay a little more and have a slightly larger body to own one instead of adding one and powering it. Instead, the C70 uses a fully articulated LCD screen with a 3.5-inch (8.8 cm diagonal) color LCD and an aspect ratio of 16:9. It has approx. 2,760,000 dots (1280 x RGB x 720), and 100% field of view. It also has a touch screen operation function.
As for the size, it is difficult for me to focus on the 3.5-inch screen, but the image quality is good. Another EVF-free camera I have used is the BMD Pocket 4K. Although the screen is larger, it does not work in the sun, nor can it display clearly.
Canon cameras have a huge advantage, because dual-pixel autofocus is excellent, so the touch screen focus is very good, which can solve some of the biggest problems. Having said that, watching such a small screen for a long time is really tiring.
The touch screen is a good choice. At the bottom of the LCD screen is a quick access menu that contains the most commonly used settings. It's really good. You click on the corner and a menu appears. It will not take up a lot of space or obscure the image. Very convenient. When making changes, you can hide them with a single tap.
If you are using C200, C300 MII or C500 MKII, you will be happy to know that C70 uses the same BP-A30 / BP-A60 battery. Use a BP-A30 battery to record about 200 minutes, and use a BP-A60 battery to record about 400 minutes. The retail price of the BP-A60 battery is US$429.
Another option is
The battery capacity is similar to the larger BP-A60, and includes D-Tap and USB output for powering accessories. This is how I power the affordable PortKeys LEYE EVF.
The C70 has limited space on the compact body used for IO, so Canon has to make some decisions about it, and I think they have done an excellent job of adding key inputs to make it compatible with hybrid cameras (such as mini XLR And the two channels of XLR). 3.5mm input and full-size HDMI. An SDI port is missing.
Although the C70 cannot provide all the functions that a mid-range digital cinema camera can provide, Canon has provided many inputs and outputs for a camera of this size.
Mini XLR is a good choice because it can provide balanced audio of the same size, while full-size XLR only takes up a small part of the camera's space. In addition to using a mini-to-full XLR adapter or connecting one end of a mini XLR to a longer cable, there will be no other benefits in the end. I have a few
I have, they work very well. Two Mini XLR terminals provide +48V phantom power.
As for the Mini XLR cable, if you don’t like the idea of a short cable,
.
The 3.5mm is set to dual-channel mono, and like many 3.5mm inputs, it does have a small amount of voltage, but no phantom power.
There are all controls for 3.5mm microphone input in the menu. This is not ideal because it does require some steps to access it.
Most 3.5mm microphones use TRS two-channel or stereo type plugs. Audio will be sent to channels 1 and 2 at the same time. C70 can choose to independently change the level of the two channels. If the audio is set to hot, it is set to a lower channel, and it is very good to set it to a safe track.
If you use a 3.5 mm splitter, you can run two split inputs and run another microphone or a compact wireless system, such as Rode Wireless Go. This actually provides four independent audio channels for the C70.
The camera has two built-in temporary microphones, but you must give up XLR or 3.5mm input. This is set in the menu.
Since it is difficult to obtain real estate for the C70, the audio control is under the LCD screen. Every day, I use the analog dial and buttons in the menu settings for audio settings, so I won't complain too much about its location. However, if the LCD is turned off, it will overwrite the controls. Knowing this, I usually keep the LCD open during interviews or when shooting audio.
The position on the back is easy for users to use because I can adjust it while recording. With the C300 MKII's clamshell design, you have to sit on a stool to see the turntable because it is located on top of the camera. Let them see much better.
You have level dials for channels 1 and 2, and a switch for line/mic/mic +48. You can choose to set the channel to automatic or manual.
The audio status button is a quick way to view the camera's audio settings. This is very convenient. You can not only see the input setting method, but also change it by clicking the SET button. Then, it goes directly to the audio settings. so beautiful!
When monitoring audio, you can choose from several different configurations. Canon provides you with many options, from simple 1 and 2 split channels to two earphones with all four channels separated.
If the assignable button is set to [Headphones +] or [Headphones –], you can press this button to adjust the volume of the headset without using the menu. The disadvantage is that you will lose two precise shortcut buttons.
If you want to use the C70 in a multi-camera camera, it is important to set the ability to interfere with the synchronization time code. C70 can send and receive SMPTE standard LTC timing signals. After receiving the external time code signal, the C70's own time code will be synchronized with it, even if you unplug the cable from the TIME CODE terminal, the synchronization will be maintained.
Performing any of the following operations without the cable connected will cause synchronization to be interrupted. After reconnecting the cable, the correct time code will be restored.
I used Tentacle Sync to plug the C300 MKII and C70. Work defects. Other TC interference devices will also work.
It’s great to let two cameras match the TC without worrying about syncing for several hours, because it makes it easy to match the shots in the post.
Although HDMI seems to be a necessary hardware for low-budget cameras, having an SDI option would be a good choice. I know that the body is small and must be dedicated, but a person can dream. At least the C70 has a full-size HDMI port, not those pesky miniature versions.
ND filters are required for shooting outdoors and controlling the depth of field. Variable ND works fine, but there is nothing better than the built-in ND on a movie camera. It is great that Canon can integrate the built-in ND into such a small camera. I think the size of C70 is larger due to ND, so I think it is very worthwhile.
This is a brand new ND system specially designed for C70. In its extended mode, it can provide up to 10 stops. You can activate ND via the touch screen or the ND button on the side of the camera.
The Super35 26.2 x 13.8 mm CMOS sensor used in the Canon C70 is compatible with
And also uses the same DGO technology and Digic DV7 image processor.
The sensor has a pixel pitch of 6.4 µm and an effective resolution of 4096 x 2160 (8.85 MP).
The sensor has two modes, Super 35mm and Super 16mm (cropped)
Compared with the full-frame sensor, the following are various cropping factors when shooting at different resolutions
There is no algorithm for C70 red, green and blue components to be processed by Bayer. The parallel reading process in the image sensor extracts four separate components, including two spatially offset green components (the green spatial samples are twice the red and blue components). This method avoids any reconstruction errors that are inevitably related to the algorithm going to Bayer.
The DGO sensor creates an image optimized for HDR by creating two images. One prioritizes highlights, and the other prioritizes shadows and dark areas. Canon said that the sensor has more than 16 dynamic range apertures, which can reduce noise in the shadows and improve low-light performance. If you are still completing the SDR, you may not notice a significant increase in dynamic range. With HDR, DGO will be eye-catching.
Because the double gain output signal is directly obtained from the sensor, and before any image processing, the noise is also greatly reduced.
The dynamic range of more than 16 stops is a very bold proposition. In fact, if the camera does have more than 16 actual dynamic range gears, then it will make it the most dynamic range camera of any camera on the market. Of course, the more important thing is where to allocate the dynamic range.
DGO can work in all ISO ranges of the camera. Canon said that when shooting at 800 ISO in Canon Log 2, the maximum dynamic range (16 or more apertures) can be achieved. If you shoot in Canon Log 3, the dynamic range will drop to 14 apertures. From what I have seen, if you leave the original ISO of the camera, DGO will not work well when shooting at a higher ISO level. It seems that the extra dynamic range you get on the camera is also below the middle gray. If you look at the image of the C300 Mark III, there does not seem to be any dynamic range improvement in the highlights compared to the C500 Mark II. I hope the same is true for the C70.
Now, there is a problem with the dual gain output system. This function does not work when shooting at a frame rate above 60p in S35 4K. However, it does work when you shoot in 2K Super 16mm crop mode (up to 180fps). This is not surprising, because the ability to process two readings with high resolution and high frame rate will put a correspondingly greater load on the system.
You should not confuse "dual gain output" with "dual base ISO". Although this is the basic principle of calibrating with different readings, dual gain output is much more difficult than dual gain ISO because it will switch between the two. What ARRI and Canon do requires double readout on each frame, and then all processing on each frame.
Canon also includes an auto ISO option in the C70. Canon said that this is the first Cinema EOS camera with an auto ISO function. You can set "Auto ISO" to "High" or "Low" in the menu. For some shooting applications, this is a nice feature, especially when you happen to be indoors from outside at once.
Canon's dual-pixel CMOS AF uses each pixel on the imaging sensor to detect focus and capture actual image information to achieve high-precision focusing and high-quality images.
DGO (dual gain output) and dual pixel CMOS AF can work as on the C300 Mark III.
There are a variety of auto focus modes, including fast one-key auto focus and continuous auto focus, which can be selected and controlled through the touch screen to use them within 80% of the horizontal and vertical frames. Tracking auto focus can also automatically track the movement of the selected object.
Two face detection modes (
with
) Can automatically detect and track the selected face in the frame, or prioritize it over the pre-selected focus point. For my shooting, I have several children chatting at different random times in the frame. Each child’s face has a box, and I use a toggle switch to move the focus priority. so perfect!
Like on many Canon EOS cameras, the "Dual Pixel Focus Guide" allows users to safely maintain and control key focus manually by adding front/rear focus indicators.
Things to pay attention to. I heard that the C70 AF does not perform well in low light conditions, at least not as good as other Cinema EOS cameras. I didn't have the opportunity to test it, and I would not shoot in very low light, so this problem does not appear to me. Issues that need to be considered. If there is a problem, Canon hopes to be able to fix it through an update.
Canon has further improved its dual-pixel CMOS AF on the C70. C70 uses EOS iTR AFX in Cinema EOS system for the first time. iTR stands for Intelligent Tracking and Recognition. This is exactly the same system as the Canon 1DX Mark III.
By using deep learning algorithms, the system can track the heads of objects with extremely high accuracy, regardless of whether they are adjusted to positions that are not aimed at the camera. Autofocus is getting better and better and is constantly improving. Used with modern lenses, the effect is incredible.
The C70 is basically the smaller C300 MKIII because it uses the same sensor and processor. Unfortunately, since the C70 uses an SD card instead of the CFExpress required by Cinema Raw Lite, the Cinema RAW Light option will not be added to the update.
You would think that a matching camera produced by the same company can be used immediately. For C70 and C300 MKIII, this is a breeze, because they use the same sensor and color science, but using other models is not so simple, please trust me.
The C70 and EOS R5 look similar, but the matching settings of the two cameras are not similar. It is indeed close, but some colors (for example, cyan, yellow, and blue) are different. Because there are six primary colors, so many.
R5 neutral point --- C70 BT.709 normal / BT709 neutral
I tried to use the natural look on both cameras first, because I really like to use Rec.709 in low-contrast shooting environments where dynamic range is not required. This is also very useful for handing over the material to any editor, without worrying about whether they grade the colors or are familiar with the color grading of the Log material.
What surprised me was that it was very easy to use "Neutral" to match the Rec.709 camera with these two cameras. Even if R5 only has Clog without Clog 2 or Clog 3, Clog can work well.
The combination does work very well, the only color that needs to be adjusted is blue. It needs more magenta, and the tone needs to be deeper.
I tried Clog 2, Clog3 with C Gamut and Rec.709, and after applying Canon LUT, their normalization is very similar, the blue channel is deeper, and magenta needs to be added. In addition, the combination of these cameras is also very good. I strongly recommend shooting a color card and the white balance of two cameras at the same time to ensure a better match in the later stage.
With the naked eye, I would say that the color of C70 looks more accurate than EOS R5. Canon should update the firmware for the R5, and I hope they decide to adjust the colors a bit to get a better match. It would be great to add Clog 2 and Clog 3 with C Gamut, because it will make [maybe a perfect match.
I know that many people want to use Canon Raw Raw on R5, because you can choose the Clog option and color space in post-processing, so you can provide maximum flexibility in post-processing.
The good news is that you can easily combine R5 with C70 and make minimal corrections to match them. Just use similar settings for both cameras and you are good to go!
For two-camera shooting, the C70 is easy to match with the C70 in most cases. I shot two cameras in Clog2. In the above example, I used the color scale to adjust the black and highlights. The touch of the C300 MKII is green, so I moved it to blue and it looks good. Add saturation to both, nothing more.
One thing about Canon Color is that over the years, as Sony has made huge changes, it tends to be very similar. The improvements made by Sony are good ones, because their colors are not my favorite.
Unfortunately, I cannot get
This review. Canon decided to make a reduced focus lens, which is very cool, so we can use a rich lineup of EF lenses on the S35 sensor, with a full-frame field of view and additional aperture activation. For example, an F4 lens using an adapter will provide you with the same amount of light as an F2.8 lens. its not bad, right?
EF-RF "Speedbooster" can produce a wide optical conversion rate of 0.71 times. It fully supports the optical correction of CMOS AF and Canon EF lenses. It will also pass and display the f-number, focal length and lens metadata.
My EOS R5 has Canon EF to RF adapter, which is great. I have never used an adapter that works so well. This makes sense, because the adapter is passing Canon's own technology, not Canon EF like on Sony cameras. The role of the adapter is like a translator. In most cases, it is easy to run into errors.
One thing to remember about Focal Reducers is that they do not change the depth of field. When you get an extra diaphragm, it does not make the background look like a 2.8 lens on a full-frame sensor.
The installation method of the adapter is the same as other adapters. However, if you use a heavier lens, you can also fix it to the C70 body with four screws. If you frequently change between RF and EF lenses, you may not want to tighten the EF-EOS R 0.71x mount.
There is a problem with the current adapter. Currently, only the following Canon EF lenses can be used:
However, Canon’s full range of EF lenses will be compatible with the EF-EOS R 0.71x adapter ring by releasing a free firmware update in 2021, thereby enhancing the communication and functions between the camera and the lens.
This adapter is not suitable for EOS R5, R6 or any other current Canon RF cameras.
The retail price of EF-EOS R 0.71x is
.
The C70 is capable of recording at a resolution of up to 4K DCI (4096 x 2160) and a frame rate of up to 120p. In 2K or HD mode, you can record up to 180p.
C70 can record 4K DCI or UHD up to 30p in XF-AVC H.264 Intra at 4:2:2 10 bit, and 4K DCI or UHD at 4:2:2 10 bit in XF-AVC H.264 GOP.
It can also record 4K DCI or UHD at up to 120p in 4:2:2 10-bit XF-AVC HFR (Special Recording) H.264 Long GOP.
In 2K or HD, you can record up to 180p images in 4:2:2 10-bit XF-AVC HFR (Special Recording) H.264 Long GOP. Please note that the camera can shoot in 4K DCI, UHD, 2K and HD in S35 mode.
As I mentioned before, you can also shoot in super 16mm crop mode. When shooting in 2K, the crop is 1.92 times; when shooting in HD, the crop is 3.07 times.
Interestingly, Canon enabled simultaneous recording when shooting high frame rates. The audio will be recorded in a different file from the video. The file format it records is BWF (extension .WAV). This is a great feature and should not be overlooked.
In terms of codec selection, you can choose from XF-AVC Long GOP, XF-AVC Intra, MP4 H.265 Long GOP or MP4 H.264 Long GOP.
So what is the difference between Intra and Long GOP codecs? I am glad you asked! The Intra-based codec compresses the image frame by frame. This means that each frame is decoded and encoded separately. Long GOP is an inter-frame-based codec; as the name suggests, it detects differences in frames by referring to previous and subsequent frames. It cannot save the complete information of each frame like the Intra codec. Rather, it actually just preserves the differences seen between the constantly changing frameworks. In plain English, it is basically making predictions based on changing frames, rather than decoding and then encoding each frame. Long GOP codecs are used because they do not take up too much card space, and they allow you to record for a long time.
There are no internal or external RAW recording options on the C70. When I asked Canon why it told me that if people want to record RAW, it is the C200. The lower-priced R5 can record RAW, but the camera cannot record RAW, which is a bit strange.
Currently, there are no plans to implement external RAW recording in C70. Internal RAW recording will not be possible with SD media currently used by the camera.
The camera does have the ability to view the decompressed distorted image, but there is no distorted mode. You can also output the decompressed image via HDMI.
The C70 does have some built-in LUTs, but you cannot load or import any of your own custom LUTs. However, according to Canon Japan,
", used to create a custom picture profile. This allows you to import the 3D LUT in the .Cube format into the camera and apply the captured 3D LUT for recording. This way, even in a workflow without color grading, you can expect The appearance is recorded.
With dual card slots, you can choose some good options. The camera can use SD UHS-II card. The media card slot is located on the front right side of the camera.
C70 can record the same resolution and frame rate to two cards at the same time, or record different formats at the same time, or perform relay recording. C70 can also record agents on the main card or on the second card. The options are great, and I like the options you have on the C70.
The C70 even allows you to record different resolutions at the same time. For example, you can record 4K DCI to one card and 2K DCI to another card at the same time.
You can also record progressive and interlaced scans at the same time, so you can record UHD 50P to one card and HD 50i to another card. If you want to record different codecs at the same time, you can also do so. For example, you can record XF-AVC ALL-I on one card and XF-AVC Long GOP on another card.
Canon recommends
In most cases, especially slow and fast modes. As you never know, I will stick to V90, and it is a pity that your creativity is limited because the card is not fast enough.
I did encounter a problem
card. I received a dropped frame warning, and the clip was corrupted. Another time I didn't get a warning, the clip was black and there was no audio. It seems that the 64GB size may be a problem, so I will avoid using them and expand the capacity. I'm not sure if it is related to Anglebird, because I don't have other V90 64GB cards to test.
I think the main reason for using an SD card instead of the newer CFexpress is the lack of any RAW recording options. If you have hope for Canon Raw Light, this alone will not come true.
With such a compact body and the ability to shoot in high format and 4K, the body must be able to cool to prevent the dreaded overheating. Yes, the R5 version shows how important or embarrassing a camera that quickly overheats can be. The last thing Canon needs is another camera that has overheating issues.
The good news is that the design and cooling system of the C70 are composed of fans and exhaust systems, so there will be no overheating problems.
The C70 has an air inlet on the left side of the camera, and two air outlets on the right side of the camera, one on the right side of the camera and one on the bottom of the camera. In this way, air is pushed through the main board and the sensor board to reduce heat.
The ventilation system of the C70 is separated from the electrical system to protect the sensor from water, sand, dust, etc.
The C70 has the tools needed in movie cameras, zebra crossings, waveforms and the new "false color". The first of Cinema EOS.
False color is a good way to judge the exposure, C70 has it, but it cannot show you the IRE scale that represents the color. You will have to get used to the Canon color scale to trust it.
Good ole waveforms are tried and true video productions. I like to pop it up for inspection. Although it is small, it helps it. The position can be changed from right to left, but you cannot place it in the corner. It stays close to the center, but on either side. This is good or bad, because I can't turn it on when shooting because it covers key areas of the image, so I tend to turn it on and off when needed. The waveform can also be seen when using HDMI output.
Even if a LUT is applied to the image, the range is changed, or anamorphic decompression is used on the selected video output or screen, the waveform monitor will not be affected.
The zebra pattern function displays black and white diagonal stripes on overexposed areas. There are two types of zebra patterns, and you can display both at the same time.
Allows you to identify areas within a specific range (±5% of the specified level from 5% to 95%), and
Allows you to identify areas beyond the specified level (from 0% to 100%).
The combined IS allows coordinated control between the RF holder, the RF lens and the electronic IS. If you use an EF lens with one of the adapters, the camera will still have optical image stabilization and electronic image stabilization, but they are performed separately.
Canon claims that its IS performance is much better than using a traditional EF lens and electronic IS combination.
After the normal anti-shake is enabled, the image will be cropped by 1.1 times. After the enhanced anti-shake is selected, you will get more cropping.
The retail price of C70 is
. It will start shipping in November 2020 and has been out of stock for a long time. As of today, it is available at B&H and many other popular retailers.
C70 is an interesting camera. Inside is the baby C300 MKIII. I think it’s a bit strange to use the ergonomic design of the C70 for a still camera, but it is common to use hybrid power in video. In my opinion, the copied model seems wrong. If it has EVF, then it will make more sense.
No EVF is not an ideal choice, because the camera is difficult to use outdoors in the sun. It is worth mentioning that Canon DPAF is amazing, and the touch focus effect is very good. You have a lot of exposure tools, so shooting without EVF is feasible, but not ideal.
With the release of BMD Pocket Cinema Camera 6K Pro, it made me wonder if all these designs without EVF came into being, because 6K Pro has an optional EVF, which can be simply installed in the place where you wish to place a normal EVF top. Sophisticated design. Small and mobile.
The number of shortcut keys that C70 has is a great advantage. I like how easy it is to operate. Once you get used to the placement of the buttons, the user experience will be very good.
Shooting outdoors requires a neutral density filter, and the built-in ND system is great! I can quickly change lenses without worrying about the front variable or different ND intensity type filters. I can stop ND up to 10 times by just pressing a button.
The touch screen is fine. It has a small shortcut to open a sub-menu that can be used to access ND, ISO, F-stop, white balance and tool settings. When I use C200, with it, I can get my most frequently used settings super fast. Another shortcut I really like is "Audio Status". This shortcut shows all the settings of all channels on the C70, and you can also quickly make changes. Much faster than directly entering the menu.
Canon has done something special with the C70. If it can be an A-Cam, it is worth discussing. For me, I can do this with a few kits. The price is also very reasonable, considering its cost is 5,500 US dollars, and the price of C300 MKIII is 11,000 US dollars. I think you can get more cameras at half the price. On the other hand, EOS R5 is priced at $3,900 and has considerable video specifications. However, if I need a camera, I will get a C70.
Erik is an 18th Emmy Award-winning DP. He has more than 20 years of experience in the field of photojournalism and works in newsrooms across the United States.
In the past ten years, Erik migrated to broadcast television and film production, where he discovered a passion for visual storytelling and production.
In addition, Erik is an outstanding educator who teaches filmmaking through Linkedin Learning and courses on Lynda.com.
A website for professionals in the film and television industry
©News News 2021
In 2020, many new cameras have been brought to us in the cinema and mirrorless fields, but the beginning of 2021 does not seem to be completed yet. Just a week ago, Blackmagic Design released
Built-in ND, upgraded 1500 nit tilt screen and optional EVF. Yes, we have not completed the release of the camera at all!
new
with
It is a mirrorless camera, but the difference between the two cameras is very big, but they do not have an EVF. This may be partly to reduce prices. Obviously, both Sony and Canon have conducted some research to make them feel that users don’t need it. Many box cameras don't even have an LCD screen, so at least there are touch screens on the C70 and FX3, but I think the viewfinder is essential for normal operation (especially outdoors). It is not easy to shoot with a small LCD screen. If I concentrate, I tend to feel uncertain. In addition, I may miss things that are not needed in the framework.
I like S-Cinetone very much. This is the best color I got from a Sony mirrorless camera, and it is closely related to S-Cinetone. The samples I shot around San Diego were also shot with S-Cinetone. The skin tone is very good, and the profile gives you some room for color gradation. This is a good start, for me, no correction is needed.
Many people want powerful, small and large-format cameras, especially for universal joints and anti-collision cams or B-Cams. It is undeniable that a small and powerful form factor has great advantages, and Sony FX3 uses this precise form factor.
C70 and FX3 have excellent specifications, and when used with Sony FX3, they are very compact. It is an engineering feat to make such a compact full-frame camera that can shoot at 4K 120fps without melting. The added internal fan system is the key to maintaining its heat dissipation.
I am not going to introduce all the specifications, because
. Take a cup of your favorite drink with you. I will express my opinion on FX3 and its availability.
FX3 is very small. It looks like a fatter A7 camera. When the Sony 24-70 F2.8 is installed, the space between the lens and the grip is very small. My fingers are pressed against the lens. Like other Alpha cameras, the mount is also located on the compact body, and with some fatter Sony lenses, they can go over the bottom of the camera. This can be a problem when using a sled or mounted on a teleprompter.
FX3 is basically a7s III, but specifically for video. I can also see that Sony designed FX3 for use on its new products
Where EVF is not needed.
The four sides of the fuselage are flat and made of lightweight and strong magnesium alloy. It has 3 1/4 inch 20 taps on the top, 1 tap on each side, and 3 taps on the bottom for mounting to a tripod or adding a QR board. If you are not using MI handles, you can use two additional 1/4" 20s.
The top mounting bracket is located on the left, there is not much room to install anything. Maybe use articulated arms or sandals. The one on the side is placed above the HDMI door. This tap cannot be used without blocking the HDMI output. Either way, the space is quite narrow.
The faucet on the left is the most usable of all installation points because it will not block anything. Wait. It will block your hands, so if you use a tripod without holding the FX3, it will work.
Sony said that FX3 has a cageless design because it adds mounting points around the fuselage. Although these can come in handy, I think many people still choose cages because the options are quite thin. After attaching the handle, you have three mounting points on the top. Left and right. At the bottom is a 1/4-20 inch for mounting to a tripod or adding a QR board.
In video mode, the menu structure is the same as the new a7s III. It is much better than other Sony menus, but I wish there was a simpler menu. In fact, it should have the same structure as FX6 because it is considered part of the product series. With this, I know that adding a large number of photography settings to provide users with a large number of settings is not easy, but FX3 looks like the camera that FX6 and FX9 users want to use, and making it familiar is a big advantage. .
The LCD screen also looks the same as the a7s III. For cameras without EVF, it is better to have a larger screen, but due to the smaller size of the FX3, this is not possible. Reusing the components of existing cameras has great economic significance.
The LCD screen can be fully hinged and flipped to the selfie position without blocking; however, if an HDMI cable or other port is used, they will block the view. It also needs to flip the screen before fully opening the screen. This is no big deal because it is easy to open and flip, but if you want to view the entire image, the obscured image will make it unhelpful, and in addition, if you use the front cable, it is difficult to use the touch function. Screen. If you want to use the IO option on the camera, this is a common problem with all flip-up screens.
You might think that such a small body will overheat, but due to the design of the fan, my cooking camera has no problems.
You can choose to turn off the fan in the record, "Auto", "Minimum" or "Off".
The bottom is the air intake, and the exhaust is on the side. The fan is very quiet, which is not a problem at all. This is an impressive design.
Since FX3 is mainly a camera, there is no need to set up stills on the body, and it provides a neater layout for FX3 buttons and shortcuts. In static mode, you can program the buttons to have different settings. This is very convenient and very customizable.
This menu is a separate menu for video and still images. To switch functions, just press the MODE button to call up options. In video mode, you cannot shoot still images. I went through the menu to see if I can set the front button to take a still image, but that option is not available. However, in still mode, the "REC" button will trigger video recording.
On the right, there are several shortcuts grouped together. On the front is a miniature zoom rocker for compatible lenses. Unfortunately, I did not have any tests. Although I mentioned that the camera does not have a dedicated button for shooting, it can capture still images. FX3 shoots 12.1 megapixel still images similar to a7s III.
When shooting still images, many functions are cross-used, so white balance, IRIS and ISO can be used in both modes.
If you put these two cameras in one price category, they will not be in the same one. The price of C70 is more than 2,000 dollars higher than FX3, so it really shouldn't. However, I know you will still compare them.
As you can see, its size is much smaller than C70.
Sony has added MI hot shoes to several cameras. The MI hot shoe can be used to pass audio directly to the camera and supports flash accessories. The list of MI compatible accessories is huge. I like this feature very much because it can eliminate cable connections and provide you with multiple options for existing modules. If it can also be used for small EVF, but it is designed for audio, it will be amazing.
The included handle is a new design, with MI contacts at the bottom of the handle, which can be mounted on the body. It uses two thumbscrews to firmly fix the handle to the body, and it works very well. It does have a certain degree of flexibility, but it will not affect performance. The weight is really light.
The handle is made of plastic and is very lightweight. It has three mounting points-two on the top and one on the back. I like the handle because it is small and light. It feels safe to use two thumbscrews. I also like that you don't need a hex wrench to lock it. If you really need to tighten the coin, take a coin out of your pocket.
The included TRS/XLR module looks similar to
(
), but it cannot be removed from the handle. It has two full-size XLR channels and a shotgun mount. Unfortunately, there is no ECM-XM1 with a shotgun microphone like the KLR-K3M.
I hope to delete the module if I don’t want to use the handle, but that’s impossible. I do understand why it is an overall design. The handle and XLR module will require MI contacts, which will add more design, and installing them on the handle may cause some problems because they remain firmly installed. I think this can be attributed to cost savings and lower kit prices. Similarly, you can use XLR-K3M instead of the new MI controller as needed, and I don’t understand why you can’t use the FX3 controller on other Alpha cameras, but it cannot be locked, which is a very dangerous thing.
The MI XLR module has the same functions you see in XLR-K3M in most cases. FX3 can record up to four audio channels. impressive. It has two TRS/XLR inputs and one 3.5mm. You can also use the 3.5mm input of the camera at the same time. You will have to use the camera's audio settings to change the level. The camera’s 3.5mm jack is a stereo jack, so technically speaking, with a 3.5mm splitter, you can have 5-channel audio.
Remember how difficult it was to capture audio with DSLR? Sony simplifies audio processing with the MI bottom box.
The following are some possible audio settings.
The audio level dial will be somewhat attenuated. This is a good thing, because the turntable does not rotate on its own due to vibration, and there is also a transparent plastic cover to prevent accidental replacement of the buttons. You can still use the dial because the lid allows some gaps. Each of the two channels has a line, a microphone and a microphone with 48V phantom power.
I like the ability to adjust the dB level settings because not all microphones have the same sensitivity.
Overall, I like the MI handle, which is included, which makes it one of the best accessories I have seen in a long time. The price of the a7s III is $400 lower than the FX3, so with the MI handle, it is actually cheaper than the XLR-K3M that adds $598 to the a7s III.
FX3 uses the new CFexpress Type A and SDX SD card. When shooting with S&Q 10-bit 4:2:2 Intra 60p, the only fast CFexpress Type A card (VPG200 or higher) is required. The data volume can be up to 1200 Mbps.
If you can't see the high quality and high frame rate of your own shooting, the V60 or V90 will be very useful. CFexpress Type A cards are expensive.
versus
Due to the fast reading speed of the sensor, the roller blinds are very small. Jello has always been a problem with all CMOS cameras, and Sony has solved this problem with a better processor than the global shutter.
FX3 is designed for compactness. If you have used a Sony mirrorless camera before, you will be able to use FX3 at home. For me, I miss EVF very much. This is partly due to my age and the need to wear reading glasses. Shooting with only a 3-inch LCD is not ideal. I will add an EVF or high-brightness monitor to the camera.
I like the brightness of the FX3 with MI controller. It feels good when you have low light or a tripod in your hand. By adding three mounting points, an EVF or display can be easily added using suitable hardware.
Thanks to the internal cooling system, the camera will not overheat and the fan is very quiet. Atomos Ninja V recorder is much larger than FX3. Speaking of tape recorders. When using Atomos Ninja V, you can record ProRes Raw via HDMI. This makes the FX3 a very versatile camera with little shaking and no power consumption.
For me, the absence of EVF is a problem. When I went out to do some tests, I found that it was not good to shoot with LCD alone. It is too small for full-time use, and it is difficult to use outside. I think Sony wants users to add a monitor or EVF. I do hope that Sony can add it, it is indeed a missing feature. The a7s III is one of the best EVFs on the market, and knowing that it is frustrating, it is not on FX3. However, if your budget is limited, PortKeys LEYE is a good cheap EVF option. I checked LEYE, so check it out.
The downside is that the Canon C70’s CORE SWX Nano battery has a power tap, while the FX3 does not have the power supply option of LEYE because it uses a built-in battery instead of a larger battery with a power tap.
To solve this problem, I looked for an external battery that can provide 5V voltage via USB. The battery is more like a square design. This Miisso 10,000mAh battery looks like an excellent choice. I want it to be smaller, but it must be done and it works well. It will only increase the EVF by 240 grams or 8.46 ounces, and can continue to supply power for several hours.
Nothing can be seen here ? Actually, I want FX3 to have the electronic ND that FX6 has, but if it does, make more room for it. For many alpha or mixed shooters who already use variable ND filters or set intensity versions, this won't be a big problem. Personally, I don't like to use lens filters when shooting videos. It slows me down. I hope that one day the internal ND that does not take up space becomes possible. What a glorious day it will be.
FX3 is not an Alpha camera, but a part of the Cinema Camera FX series, but there is no 180-degree shutter option. Instead, it uses a still camera type shutter setting. Although this is not a big deal, it shouldn't be an option either. When shooting video at 24 fps, set the shutter to 1/48 second. This is the correct shutter setting for 24 fps. On FX3, set it to 1/50 second. If you change the frame rate, you also need to change the shutter speed. If the FX3's shutter is set to 180 degrees, the shutter speed will follow the frame rate, so you don't need to change it manually, thus avoiding slow or fast shutter settings.
Sony has created a camera that, in most cases, is occupied by one person alone. It is indeed a hybrid camera, and it has completely turned into a camera with some impressive still image options. Sound familiar? If you are a Sony alpha a7 series video shooter and want the same form factor, then FX3 is perfect for you. It is frustrating if you have already invested in a7s III, because I think FX3 is what you have always wanted in hybrid cars. Personally, I would choose FX3 instead of a7s III to shoot videos, because I don't really care about the photographic aspect of the camera, and the price is really good for the specifications provided by FX3. If you don’t have a solution yet, you only need to budget for the display or EVF.
We have seen many cameras without EVF, such as Z Cam, RED, Canon C70, and C200 and C300 MKIII without EVF options, as well as BMD Pocket 4K, 6K. They all sell well, so it's no surprise that FX3 doesn't have one, but I miss it very much. I also feel that the lack of timecode input is a huge shortcoming, because Sony refers to FX3 as a movie camera. If you want to use FX3 as a b-cam, you must add a TC device (such as Tentacle Sync) or record temporary audio and use a tablet.
Another reason for missing it is how FX3 outputs images to an external monitor. If you want to check the camera information, the image will be greatly reduced. All I have left is to see the whole image in an external EVF or monitor with a complete or severely cropped image. It reminds me of using the monitor in static mode. There may be an external EVF mode, so the image and camera are set to the correct 16×9 format.
The color science on FX3 is great. S-Cinetone is my favorite because it has excellent skin tones and the black levels are not crushed. If necessary, it can provide beautiful images that are easy to grade. There are rumors that a7s III will soon launch S-Cinetone, which makes FX3 less attractive.
This
; In comparison, the a7s III is $3,498; the price of the Canon C70 is $5,499, which is $1600 higher than the FX3. This is a big difference, and since the C70 is much more expensive, it may not be a good comparison. However, the C70 provides you with more features, such as a built-in ND and a larger LCD screen. The body is bigger... the more I think about it, they will only share the shortcomings of not having EVF. ?
If you add
) The total price of a7s III is 4096 US dollars, which makes a7s III more expensive than FX3, but FX3 is not equipped with ECM-XM1 gun microphone. As far as I know, this microphone cannot be purchased separately from XLR-K3M. If you can find the ECM-XM1 and it seems that you cannot buy it separately, the $196.01 difference seems to be a big expense. It can be found as a second-hand part or part, and the price is about $130.00.
The real competitors of FX3 are the a7s III and the new BMD Pocket Cinema Camera 6K Pro with internal ND and optional EVF. Leaving it BMD broke again.
Erik is an 18th Emmy Award-winning DP. He has more than 20 years of experience in the field of photojournalism and works in newsrooms across the United States.
In the past ten years, Erik migrated to broadcast television and film production, where he discovered a passion for visual storytelling and production.
In addition, Erik is an outstanding educator who teaches filmmaking through Linkedin Learning and courses on Lynda.com.
A website for professionals in the film and television industry
©News News 2021
gap
Johnson
•
March 07, 21:05
Courage is a great game, but it is not immune to one thing that affects all multiplayer online games. Lag is the player’s worst enemy. It slows down the connection between computers and causes hooks, dropped frames and other issues that can disrupt the player’s experience. No one likes to receive bad pings.
However, there are some ways to control the lag and its effect on the player's heroic match. The first stop is Valorant's settings menu, where players should turn on the game's ping, FPS and frame timer settings.
Enter the settings menu, click "Video", then open the FPS counter "Network Delay" and the rest of the settings in this menu. "Network delay" is a fancy name for ping, but other names are also useful. If players look at these things in the game whenever they feel a spike in lag, they will be able to immediately tell if the problem is with the lag.
If the frame timer suddenly jumps, or the player's total frame time is higher than usual, it means that there is a problem inside the system. In some cases, things like frame knotting and stuttering can feel like a lag.
However, if the player sees packet loss or "ping spikes" and the player's ping suddenly jumps before returning to normal, it is lagging.
When the information between the computers is transmitted from the server back to the player, the information between the computers slows down, a bottleneck occurs or is only lost, there will be a delay. When players play games on dedicated servers, the situation becomes more complicated. Since the dedicated server is usually located in the central area, the player can keep twice the distance from another player on the enemy team. Therefore, the lag is not only a decrease in the speed of information from one computer to the server, but also the time it takes for other players to communicate with the server.
There are several things players can do to fight time lag and improve ping, and the first one starts with the home network. Players do not need to use wifi. For fierce applications such as games, wireless Internet is slower. Make sure that roommates or family members do not simultaneously stream high-definition video or play games by themselves, as this may paralyze the home network.
If this is not a problem, replacing the server can also help. By clicking on the small server browser menu on Valorant's queue page, the Valorant account can be freely switched between any servers in its area. Clicking on it will display a drop-down menu of available servers and the player's pings to these servers. Sometimes it helps to connect to a new server, start a quick deathmatch game, and then exit. Doing so will overwrite the previous settings and allow the player’s original server to create new settings, sometimes clearing the lag problem.
Most modern routers have a switch that can turn them on and off, but the memory in them can still be powered. If the player tries to solve the router problem, that would be bad news. By unplugging the router and waiting for a minute or so, the player can reset the onboard memory. This will cause the router to perform a complete startup, at startup it will check all settings and update all connections.
Sometimes, players have tried all the methods, but in "Courage Fighter", "Counter-Strike: Global Offensive" and other games, their ping operation still has problems. When the problem is serious, it is usually beyond the scope that one person can easily solve. For example, the Internet line may be on a splitter that separates a strong signal into two weak signals. This may affect performance, and such fixes will be attributed to the Internet provider of the player.
Lag is a fierce opponent, and high ping can be frustrating, but some of these simple steps may help diagnose or even solve the problem.
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Jarren Duran stretches during a spring training team workout at JetBlue Park in Fenway South, Fort Myers, Florida on February 28, 2021. (Photo by Billie Weiss/Boston Red Sox)
Red Sox's No. 2 prospective player Jet Downs homered in his first spring training on Sunday. Best outfielder Jarren Duran hit a home run on Tuesday.
Meanwhile, the pitching forwards Thad Ward, AJ Politi, Eduard Bazardo, Connor Seabold, Garrett Whitlock and Stephen Gonsalves did not score.
Red Sox manager Alex Cora said: "This is great because this is where we are as an organization." "What you see is the first part, which is the major league clubs. We With our goals, we will continue to progress for what we want to achieve. Then the second part is player development. Since Chaim (Bloom) came here, some of them have entered the organization, but he has added others . It’s great to see them participating in the competition and discuss certain situations with them."
Cora added: "The fact that they are not only young, but also excellent players, which makes it better. These kids know where they are going and they are learning games here. But at the same time, when they are out, they are Competition. They are competing at a high level, which makes it interesting."
Here are 10 early observations of the Red Sox farm system from the Major League Spring Training Camp.
Midfielder Jarren Duran (Jarren Duran) is in his best form in the Red Sox major league spring training camp.
There is a weight room in his garage.
"He lifts, sleeps, eats and plays baseball,"
.
Me, go to Pawtucket: I really hope I can make Jarren Duran do some exercise with the center.
The God of Baseball: We caught you!
Me: ...I mean baseball
The God of Baseball: You need to be more specific
Duran has a natural athletic ability and speed. His speed exceeds the leaderboard, which allows him to turn singles into doubles and doubles into triples. But he does not rely solely on speed.
His excellent physical shape shows that he has done a lot of work in the gym. This shows that he is committed to becoming Boston's future long-term center. He increased the power of the home run and adjusted his swing to hit more balls. But he still has extremely high speed, allowing him to play singles or defeat infield pitchers. Because of his speed, he still has a chance to become an above-average defender.
In 2020, it will be ranked 17th overall.
but
If the 2020 amateur season is not shortened due to COVID-19. Boston can also
-$909,700 lower than his position value. This allowed Bloom to sign the third round pick
-It is US$1.0821 million higher than its worth.
Last year, Yorke had a limited sample of advanced pitching on the alternate training ground.
, This was one of NL's best ambulances last year, in the first spring training on Monday.
York is described as a pure batsman. The Red Sox regard him as an offensive second baseman.
"A few days ago, I saw him in the batting cage and he lost weight."
"He is in a better position physically. He is a tall and strong child. This is impressive. I looked at it as if I was saying, "Who is this child?" They told me that I thought, "Wow, he is impressive. "
York and other infielders have learned a lot. Cora said that in the spring training game, he had young infielders standing near field coach Carlos Febles and quality control coach Ramon Vazquez.
"Ramon and Carlos are moving the infielders, so there are kids next to us so they can actually see it from our angle and defensive distance," Cora said.
In the 40-man lineup, Eduard Bazardo only needs to throw 8 pitches for Sunday's perfect shot (he plans to throw again on Wednesday).
When sitting down, train at a speed of 93-96 mph to reach a distance of 97 mph with your fastball.
Bazardo used to sit at a low point in the 90s, but
. His curveball always has excellent spin speed.
"The speed has increased. Everyone knows about stealing, but I believe fastball will make a difference,"
Andrew "AJ" Politi is not in the 40-man lineup, nor has he surpassed the high A, but he may not be behind Bazardo. The 24-year-old is likely to start his season in Double-A Portland or Triple-A Worcester.
He hit one side on Tuesday.
"Good break," Cora said. "Fastball, he is a little wobbly. He seems to be overthrowing it, but you can see the separation. He is one of those guys who have been attacked vertically. The fastball goes up, the ball goes down. This is a good one. He is from the same A window threw it. He is one of the guys who impressed me on the video. Mature and he is also a good athlete. So, it's nice to see."
Keith Law, a potential expert in competitive sports, ranked 15 potential customers of Boliti Boston until 2021, and called him the sleeper of the farm system. "Politi may leap forward this year, if it were not for the global rankings (MLB's top 100 potential customers list), at least it would be among the top ten."
In August last year, the Red Sox acquired Nick Pivetta and Connor Sibor from the Phillies for Brandon Workman and Heath Hembree. Germany (Connor Seabold).
Pivita is expected to become Boston's fifth-biggest starter this season. He will make his 2021 spring training debut on Wednesday.
At the same time, Seabold may end up being the better of the two pitchers.
He cast a scoreless round on Monday.
. Last season, the rightists worked on the alternative training ground at the junior level in the 90s.
Seabold's top job is his substitution. Therefore, Cora points out that adding more speed to the fastball creates a greater separation between the fastball and shifting gears.
"There is a lot of room between fastball and substitutions," Cora said.
Seabold has a chance to make his Major League Baseball debut in 2021. He may become a 4/5 starter in Boston in the next few years.
In the past offseason, the Red Sox unexpectedly abstained from Yairo Munoz—he also unexpectedly cleared the abstention from the organization.
So far, Munoz has won home runs, doubles and three RBIs with 8 points 4-8 in three spring training games. He was one of four players who homered for Boston on Tuesday.
"Yale, he pressed that racket to the middle right corner," Cora said.
The 26-year-old has played 12 games for the Red Sox in 2020 (45 sets), showing a .511 field goal percentage, .844 OPS, 1 home run, 5 doubles, 4 RBI and 6 runs. . His career .278 /.332/.402/.733 appeared in 208 major league games (appeared in 555 sets). Last year, he also saved 4 defensive runs in 56 games on the left field of Boston.
He is one of the top field depth options entering 2021. He will play for Boston sometime this season.
Connor Wong-Boston with Alexander Verdugo and Jeter Downs for the Mookie Betts and David Price-purchased since last year Since spring training, he has made a lot of progress on defense.
Wong's agile hands left a deep impression on Cora. His arms are also very strong, and he is taking the position of catching the ball on one knee.
Cora added: "I really like that communicative skills rank first in his defensive games." "You see him in a canoe talking with Jason (Varitek) and pitchers. For a young young man. It’s eye-opening to be able to do this now."
Ronaldo Hernandez, which Boston acquired from the Rays, has not yet appeared in the spring training game.
Put him in 15th place in Boston. He is only 23 years old and has shown a certain strength among minors like Wong.
Bloom in Wong, Hernandez and even in
The past offseason. Pereda will turn 25 in April, but he has yet to make his debut in the spring of 2021.
Whenever he was asked about him.
After Whitlock's two scoreless games, Cora said: "Things are there. He pays attention to details. Good kids in the clubhouse. Always talk to other pitchers and watch and learn ."
Boston chose Whitlock from the Yankees. He must remain in the active lineup throughout the season (unless IL restrictions are obtained) or he must be sent back to New York.
Whitlock has the long-term potential to become a back-end starter, and if Boston starts with a six-a-side rotation in 2021 instead of a five-a-side rotation, he may win the sixth place in that rotation. This year, he may take on multiple roles, including on-site starter, long mitigator and short mitigator. Boston may use him more as a powder, but he may also get a chance when the Red Sox needs to hit home base with high leverage. His field goal percentage in 2019 was 2.20. The Red Sox think he is the kind of pitcher who can take advantage of on-court transfer.
Tanner Houck has been developing the splitter, which is his third pitch, but it seems to be still in progress, which may cause him to start playing among minors in 2021.
"Keep working so hard that he feels comfortable and confident to attack the area with the area and throw it away when needed, so that he feels satisfied,"
Last year's Boston. But this seems to be his only chance to start 2021 on the opening day roster in Boston is if Boston conducts a six-man rotation. Pivetta, who has no choice, seems to be locked in fifth place.
If the Red Sox adopt a six-a-side rotation, Whitlock and Matt Andreas will be sixth with Hawke.
Downs scored 4 points and 2 4 home runs in 3 spring training games, 3 RBIs, one walk and two strikes. He is Boston's highest prospect in the Bates trade.
Cora talked about Towns' smooth defense and his ability to slow down game defense (although he has made two mistakes so far). The 22-year-old also reminded us of his strength when he hit an opponent's track home run on his first shot.
"He hit that ball in the right place," Cora said. "He did it. Then there was the bat, and the next one was a nice swing in the middle."
In the 2019 high A and double A games, Towns has a .526 shooting percentage, .888 OPS, 24 home runs, 35 doubles and four triples in 119 games (535 sets). Win.
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An animated GIF is a combination of multiple frames or still images that are played in sequence. If you want to extract frames from animated GIF images, then this article will help. You can save the extracted frame as
,
, Or
Picture, then use any picture viewer or
Or other tools to view these images. Most of the free options described in this article can also play GIF images.
In this article, we show you how to easily divide GIF into frames. Use two free software and two services. The added options are:
Let's check these tools to split GIF frames and save these frames as images.
The GIF Viewer software has two unique options. You can
(For example, 3-10 or 5-8) Extract the frames of the GIF image or save all the frames. Another option is that it will automatically play GIF after adding it. It also supports
, with
Format to save the image.
Download this GIF splitter software, which includes
. When you start the software, it will automatically open a window to add GIF images. After that, it will start playing GIF. There are also options to adjust the playback speed.
To extract frames,
On the GIF picture, then select
Options. A new window will open. There, use the slider to set the frame range. Finally, use
Button, and then you can select the output folder and format to save the frame as an image.
GifSplitter is a miniature portable software. It has a special feature you might like. If the input GIF has a transparent background, you can
Used to output images.
Download from
. Start the software and add the input file in the given field. After that, it will display
Available in this GIF file. Provide output folder.
Now, if your GIF file has a transparent background, choose
Option and use the color of your choice to fill the background color of the output image. press
Button, it will save the images one by one. The image is saved in
format.
: You can also read our tutorial to
Use free software.
Comes with online image tool service
, Image resizer,
, And other tools. GIF frame extractor is also provided. The advantage of using this tool is that you can
The rest of the frames are left. You can preview the input GIF, select the required frame, and then download the frame as
image.
To its GIF frame extractor tool. you can use it
Option, or directly place the animated GIF in the left frame. After that, it will start playing the GIF. To extract frames,
In the given field, it will display the frame in the right frame. use
Choose to download the frame. Next time, you can add another frame number to download the frame.
You can also use other options, such as play/stop GIF animation and set animation speed.
The GIF Frame Extractor (Splitter) tool comes with a popular
service. This tool allows you to split and download GIF frames
or
format. You can also preview the input GIF and output frames.
The link to access this tool is
. You can provide
Online GIF or add GIF pictures (up to
). Use an option, then press
Button. When the preview is visible, select
Options (using the drop-down menu). press
Button.
Now you can preview all output images. If you want to download one image or download all images at a time, it's up to you. To save images, use the right-click menu or use to save all images.
This is the end of this list. Since there are two unique options, GIF Viewer software is definitely more useful, but other tools are also good.
Laxman likes to write articles about the Windows 10 operating system and the free software and services available in the Windows ecosystem.
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