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Film producer Rodney Ascher's speech in The Matrix talks to people who believe that the world we live in is not real.
Last modified: Thursday, February 4, 2021, Eastern Standard Time (05.31)
Ascher’s way of working allows patience and enlightened attention to the weird people who have unusual obsessions, whether it’s sleep paralysis (such as his movie "Dream") or Stanley Kubrick’s adaptation of "The Shining" "(Such as his breakthrough) hidden countless secrets. Room 237). His latest work comprehensively examines the emerging "simulation theory" and the culture of its supporters, who believe that the reality that all of us take for granted is nothing more than a trivial projection of truth by the human brain. For such an indispensable topic, Ascher accepted animation, which is unprecedented in his film work, so that the experience is described as a bizarre abstraction in the dream of digital art. Soon after, he realized that the same technology could be applied to make the inert material he obtained from many online one-on-one interactions lively and interesting. This is an inspiring action that not only forms an appropriate formal rhythm with the material, but also accidentally imitates the mediocre isolation of the quarantine area after months of laptop screen meetings.
"This is a strange coincidence, because we actually started filming these interviews in 2019," Ascher told the Guardian over the phone while waiting for the premiere at the Virtual Sundance Film Festival. "I think doing all of this work through digital middleware is the subject of these stories. To some extent, when we interact with each other, we are just pixels and colored dots, and the audio output between each other. Everything feels appropriate , And frankly, it allows us to save money. Putting these animated avatars in this frame looks like a satire that we have been living in the Zoom world for the past 10 months, which is really strange and interesting Luck. These projects can attract those people."
Although Goode and his enlightened brother would have us believe that there is no such thing. The coincidence we accept is contingency, which is simply a flaw in the system we are connected to, no matter what shape it takes. We may be the brains in the vat, receiving electrical stimulation through wires manipulated by scientists, or maybe we are nothing more than bytes of data on a smart biological hard drive. Plato assumed that we might be trapped in a cave and mistaken the shadows on the wall for what cast them. From VR video games to pop culture, countless metaphors express the core concept of this dimension, which can be seen by those who know how to look at things. With more adventurous psychologists accepting these symbolic ideas as literal facts, some people even try to control this illusion.
Ascher’s first impression of simulation theory came from many milestones in science fiction related to it, from the key texts "The Matrix" and the works of Philip K Dick to "Twilight Zone" and "Lost Space" Set of odd numbers. It wasn't until he hyped up his movie "Nightmare" that he knew the truth of this assumption and the organization surrounding it. "A person I spoke to with that movie said that he thought what was happening in his sleep paralysis experience was seeing the code, the zeros and zeros that Neo could see," Ascher recalled. "Immediately, it was on my radar, and when I started to read all the information I could find about it, I noticed that it appeared more and more around me-news stories, jokes, tweets, Elon · The appearance of Elon Musk, Rick and Morty. It’s everywhere. After a while, I can hardly see anything."
The filmmaker called the disciples of simulation theory from all corners of the Internet and discovered a thriving community whose solidarity principles have diverse relationships with them. Under the support of the pastor, Goode lost contact with God and found a viable alternative in reason. Alex LeVine (talking by facing the automaton of emojis, with his brain floating in liquid) believes that after he ignores death and possibility, he must be prepared. The Laeo Mystwood brothers (Anubis with glowing eyes in a tuxedo) "hacked" the 7-day work week, and the rest of the work followed. Jesse Orion (the ogre in the spacesuit) escaped from life with nothing, unable to provide him with life outside of this universe. The last witness was a man named Joshua Cook, who spoke with Asher over the phone. The reason was later clarified in a painful way. His grim story is unplayed, and leads us out of sanity with a spooky first-person perspective.
"Because his story ends with such a serious and tragic story, so I think the same is true, I don't know if glib is the word, but it feels too light for what we represent," Ascher explained the part The content is alienated and intimate POV. "Putting it together is a rather complicated thing. It requires 3D modeling of the real location through the photogrammetric process to create a virtual house that we can float in a ghostly way. One thing that interests me The thing is, although it is very compelling, it is full of incorrect places and loopholes, and the information in these places is not correctly digitized. I appreciate this quality, and it feels like visiting the memory so many times that it starts Frayed the edges."
Cook's section illustrates the inherent danger of rejecting false surroundings. Although not in that extreme form, other testimonies also have an animated narcissism. The reason for self-inflation is that everyone else is boring and they must be non-playable characters in a game tailored for you. On the subjective philosophical question-the old standby "How do we know that the green you see is the same as the green I see?"-Traditionally it has always been the jurisdiction of a smoky dormitory, but this kind of discourse has been Adopted by the sober population, they are more interested in avoiding their own dystopia rather than creating a utopia. "Think about it. Elon Musk is the most capitalist person on earth!" Asher said. "You can no longer think of it as a mason and a hippie at the university. His willingness to participate made the idea mainstream."
A speech by Philip K Dick in France in 1977 provided the structure for the film and showed the humble beginnings of simulation theory entering public consciousness for the first time. Since then, all this has spread far beyond Metz’s lecture hall, as more and more conspiracy theorists’ factions have begun to mock society as a well-planned lie. The paranoia of the QAnon subculture overlaps with the many gullible cynicism expressed by Ascher's subjects, which parallels his non-blindness. He said: "People see that any representative of the world comes from a source they trust, and make big assumptions about reality based on reality." "One of the major crises of the 21st century is how many places we can go to get this information. Many people do not get along with others, putting us in these dangerous differences. I heard it says: "You have the right to express your own opinions, but you have no facts about your own. "People can't even find the same premise."
The audience can easily imagine Ascher being lost in the woods during the production process, and finally start to wonder if these guys (not everyone, but not insignificant) will make a difference. However, he anchored his non-judicial trial with healthy skepticism. He is an example of curiosity, able and willing to consider those concepts and show compassion to those who support them, while still taking his position firmly. He knows how to accept everything without being accepted.
Ascher said: "There are two things to say about where my personal journey of simulation theory ends." "Accepting it as a scientific truth, of course I am still far from this, although it is not the one where we spend the most time. Movies. Quantum entanglement and Planck's constant are all trying to prove or debunk. In my opinion, all of this is more like a question of belief. Simulation theory is a creative myth. Although they are useful, they have far-reaching significance. It will definitely have a big impact on your daily life. I believe we will live in computers made by aliens or people in the future. This will not change the way I raise children or pay bills. I am still checking my rear view while driving. mirror."
From February 5th, there will be glitches in movie theaters, and they can also be purchased on demand in the US and the UK.
Filed under:
Intelligent design for patients with social illness
In February 2003,
He shot his parents to death in their Virginia home. Cook told his lawyers that he believed he was living in The Matrix, a simulated universe outlined in the 1999 Keanu Reeves blockbuster of the same name. Cook pleaded guilty, but never used his defense. But years later, he still realized that the feeling of killing another person was not as shocking and painful as an action movie.
It can be said that this is a spoiler
A new documentary about simulation hypotheses-our reality is actually artificial ideas. But this is the key to explaining why movies never fit together.
A weird overview of a popular and interesting philosophical puzzle: What if we live in video games? This is also a movie about those who have problems
seriously. However, it has never reconciled these elements. It’s like watching a conversation about supernatural activities at a dinner party, where one guest shared a painful story about the spirit of a deceased relative, while another guest quoted
Directed by Rodney Ascher, famous for his acclaimed documentary
with
. This movie is made by a
Science fiction author Philip K. Dick (Philip K. Dick), after his religious experience under the stimulation of narcotic drugs, he was convinced of the simulation hypothesis. The core of it is an extended interview with some current believers with metaphysical epiphany. These believers appear through Zoom calls but are covered by science fiction cartoon characters. Gradually, they put forward their own reasons to believe in a virtual world in which other people may or may not actually exist.
like
, Which
Propose a detailed theory about its meaning,
Provides a proof of the rationality of the simulated universe. You will discover the sober probability estimates of the philosopher Nick Bostrom
And speeches from
And clickbait pseudo-science, such as
, Which shows that the widely circulated popular culture reference is evidence of parallel reality.
Suffering from reality is minimal
During the COVID-19 pandemic, the Zoom interviews are understandable, but they are frustratingly abstract and cannot make people believe that the world is fake, which actually means life. Instead, this movie is mostly made up of low-budget animations and rich movie and video game clips. The most striking details will only be mentioned, just as a participant mentioned to motivate himself to "improve his life" and try new things, on the grounds that it will make him more interesting to otherworldly observers.
In addition to any factual arguments, the simulation hypothesis seems to provide reassuring answers in a terrible and unreasonable world. Why did celebrities unconsciously lose their bank accounts or ruin their reputation? Because they are controlled by boring player characters. Why commit suicide
? Because he knows he can log off. Why can't you make friends? Because the people around you are not real people.
As the last question implies, this road may lead to some very dark places. At least one participant admitted that his beliefs may stem from social anxiety.
Brief reference
Although it is never mentioned in the movie, the far-right guerrillas portray political enemies as literal automata. Then there is Cooke, whose killings seem to be caused more by direct mental health problems than sci-fi delusions, but he elaborated methodically
Consume his life.
The basic version of simulation theory is basically an intelligent design for social morbidity. The most interesting part of this movie is about the reasons why people believe it, not whether it is true or not. But it took too long to distract and unbelievable arguments with wide-eyed, innocent obsessions-when a character like Cook enters the photo, the tone becomes more and more distracting. Heart and downright creepy. If you
Think that others are real,
Otherwise it won't convince you.
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February 17, 2021, 6:00 PM
"matrix"
Warner Bros./Courtesy Everett Collection
Filming
"Complete, and according to
This is different from other Hollywood action movies of the same genre. In the interview
, Actor details
Unconventional film production methods of the main film production. As Harris explained: “It doesn’t feel great, because it feels like she’s in her own sweet spot. It’s shot on the fly, using natural light. Sometimes you’ll sit around for an hour and wait. The clouds clear, and then you will shoot quickly."
What Harris described sounds more like the production of "1917" or "Revenant" than a franchise movie from a film studio. The actor continued: "You can shoot the page once in 30 minutes and then finish it. You might think that a large movie will be in a 100% storyboard, animated form, so we will check the footage. I think she passed it three times I’m alive, and I suspect she wants to do things her way now. Usually, you don’t feel like you’re doing a big thing because she makes her feel very close.”
Last April, due to an epidemic, the production of "The Matrix 4" was suspended. Stunt coordinator Chad Stahelski (Chad Stahelski)
Wachowski also directed all the action scenes himself, instead of relying on the second director team, thus breaking the typical Hollywood productions.
"What makes [Lana] so good is that she directs her actions," Stahelski told
. "Due to logistics involved, we appointed a second director in some ['Matrix' movies]. But recently, especially on "The Matrix 4", she is directing her actions. Their second unit is mainly It is to establish the shot, the B side of some composition in certain positions. However, Lana will take her own action. She weaves it into the main part, which is why their parts look so good. "
Stahelski described "The Matrix 4" as "incredibly fun" and added: "I think if you are a fan of the original trilogy, you will love it. It is coming back in revenge."
In addition to Harris, the actors of "The Matrix 4" also include Keanu Reeves, Kelly Anne Moss, Jada Pinkett Smith, Jaya Abdul Mattin II World, Jessica Hanwick, Jonathan Grove, Lambert Wilson and Daniel Bernhardt. Warner Bros. plans to show the movie in theaters and HBO Max on December 22.
And mark
,
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